Rayland Baxter has returned with ‘Imaginary Man’, an album of way-out Americana with a dreamlike quality befitting of its title...
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The debut album from Swedish folk band Small Feet is a transcendental melting-pot of Scandinavian fascination and television addict-fuelled unease...
Dwelling on themes of distance and separation, the second album from this Liverpudlian synth-pop five-piece is ethereal, sophisticated and compelling ritten...
To mark the 30th anniversary of ‘Psychocandy’, Jim and William Reid serve up this live version in deluxe boxset form erman...
‘Young Burns’ sees the aptly named Romanian act Fine, It’s Pink engaging in melodic dreaminess that belies their psych-rock tag...
On ‘Driveby’ The Classical do their very best to squeeze as little convention into the pop song format as possible...
On their debut EP, Grimsby three-piece The Sewer Rats have delivered a blistering and riff-heavy set of doom rock oney...
White Reaper’s debut album is a spirited collection of garage punk songs which owes a debt to the genre’s past...
The new single from Colchester’s Ordinary Noise weds atmospheric noise with a contemplative lyric and the results are impressive ou...
This beautifully crafted new album of intricate alt-country from singer-songwriter Samantha Crain is brimming with poignant tales of everyday life...
Inspired by his friend’s roof, from where he watched 9/11 unfold, Craig Finn’s new single somehow manages to remain hopeful...
The Brooklyn trio, who once auditioned for Spiritualized, deliver a glorious debut long-player packed with warmth, melody and classic songwriting...
How I wrote 'Luka' by Suzanne Vega
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How I wrote 'Hey There Delilah' by Plain White T's' Tom Higgenson
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How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
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How I wrote ''74-'75' by The Connells
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How I wrote 'Mad World' by Tears For Fears' Roland Orzabal
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How I wrote 'Turning Japanese' by The Vapors' David Fenton
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How we wrote ‘Big In Japan’ by Alphaville
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Song Deconstructed: 'Sink & Swallow' by Melanie Radford
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How we wrote 'I Alone' by Live's Ed Kowalczyk
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