This week’s first track exclusive is a slice of languid, anthemic Southern rock from New York-based musical collective Gideon’s Army...
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This debut LP is a rich and immersive experience, despite being built on the stark foundations of Adam Sherry’s detached...
This record is full of contradictions, but Ben Pritchard’s manic songwriting ability is jaw-droppingly good throughout this truly brilliant re-release...
Songwriting is delighted to bring you the premiere of a second track from James McCartney’s forthcoming album ‘The Blackberry Train’...
This week’s second exclusive is this ‘live in the studio’ video from Treetop Flyers, who play in London next week Our second...
This week’s Monday track exclusive is the first ever video by Indian singer-songwriter Nagavalli, who is based in Austin, Texas...
Against a backdrop of roots, Americana and folk, this Chicago band have delivered a second album of well-crafted country songs...
Our third exclusive this week is the new video from guitar-toting British singer-songwriter Steve Young, ahead of his debut album...
Today, Songwriting is delighted to bring you the world premiere of this brand new video by UK singer-songwriter Blair Dunlop...
Do you miss the bright ‘n’ breezy power pop of the late 70s? Then you’ll love this week’s Monday exclusive…...
Classically trained trio show their time away has been well-spent, returning with more maturity and with bigger sounds and concepts...
Today, Songwriting is delighted to bring you a first listen to ‘Alice’, from James McCartney’s forthcoming album ‘The Blackberry Train’...
How I wrote 'Feelin' Alright?' by Traffic's Dave Mason
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How we wrote ‘Big In Japan’ by Alphaville
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How we wrote Michael Jackson's 'Man In The Mirror' by Glen Ballard
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How I wrote ''74-'75' by The Connells
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Songwriting Magazine Issue 42
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How I wrote 'Turning Japanese' by The Vapors' David Fenton
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How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
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How I wrote 'Suddenly I See' by KT Tunstall
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How I wrote 'Enola Gay' by OMD's Andy McCluskey
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How we wrote Natalie Imbruglia's ‘Torn’ by Phil Thornalley
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