Steinberg releases the Nashville drum expansion set for the Groove Agent software instrument, covering a range of country music styles...
Gear
Articles
Endorsed by Fender, Universal Audio adds a 1955 Tweed Deluxe Amplifier plugin to the latest version of their UAD software...
One of the world’s most iconic and successful bass designs – nicknamed ‘Old Smoothie’ – is now available for pre-order...
Impact GX49 and GX61 instruments tailored to composition and performance, feature DAW integration and MIDI controller functionality with iOS devices...
The Portland-based maker announces the release of Josephine, a medium-large diaphragm condenser microphone designed for live vocal and ensemble use...
An all-in-one effects, looper and harmony processor for vocals and acoustic guitar, making it a suitable companion for performing singer-songwriters...
The Japanese manufacturer reveals a multi-function 80W portable PA amplifier with rhythm machine offering a variety of live-recorded drum phrases...
The Pixies’ innovative lead guitarist gets the Spitfire Audio treatment with a namesake Signature sample library of mutated Santiago sounds...
The latest limited edition Custom 1959 Les Paul model is a precise replica of Nielsen’s favourite stage and studio guitar...
Berlin-based company will enable Android and iOS smartphone users to transform sounds, movement and light into original, free shareable music...
A new category of analog modelling amplifiers with eight all-analog pre-amp circuits, the AV15, AV30 and AV60 are now available...
PRS Guitars and John Mayer announce a special run of the Private Stock Super Eagle, the guitar they designed together...
How I wrote 'Luka' by Suzanne Vega
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How I wrote 'Mad World' by Tears For Fears' Roland Orzabal
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How we wrote ‘Big In Japan’ by Alphaville
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How we wrote Michael Jackson's 'Man In The Mirror' by Glen Ballard
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How I wrote 'Turning Japanese' by The Vapors' David Fenton
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How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
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How I wrote ''74-'75' by The Connells
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How I wrote 'Teenage Kicks' by The Undertones' John O'Neill
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How I wrote Art Garfunkel's 'Bright Eyes' by Mike Batt
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How we wrote 'JCB' by Nizlopi's Luke Concannon
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