On the second single to come from their second album ‘Fain’, Wolf People dwell in the ambience of Syd Barrett...
All posts by Publisher
Songwriting and ReverbNation proudly present the second winners of our monthly songwriting contest – Brooklyn-based experimental pop trio Madam West...
The Hush Now provide a very worthy addition to the canon of creatively curious emo with the rather fine ‘Memos’...
Columnist Lisa Redford is a British singer-songwriter based in NYC. This month, she looks at promoting yourself via social media...
On ‘Gravez’, Hooded Fang sound like Blur and The Doors, as played by a triumphant college rock band from 1994...
TEEN take shoegaze into altogether more psychedelic territory, with the ‘Carolina EP’, the follow-up to their debut LP ‘In Limbo’...
Helldorado take the filthy spirit of Nick Cave and use it to provide the soundtrack to your personal Tarantino film...
Almost all chords in popular songwriting are constructed using triads. Jack Jennings explains what they are and how they work...
An ex-pop singer turned rock singer-songwriter on a mission, Scarlette’s a true Brit but equally at home across the Atlantic...
In this exclusive extract from his memoirs, veteran songwriter Andy Halmay reveals how he came to write for Carl Perkins...
Parisian-educated, London-based singer-songwriter Franka’s compared to Kate Bush and Patti Smith, but she’s unique and yes, that’s her real name...
James Linderman explains why plan B might be better than plan A as you decide the best melodies and chords...
Interview: Of Monsters And Men's Nanna Bryndís Hilmarsdóttir
1
Interview: James Taylor
2
How I wrote ''74-'75' by The Connells
3
Interview: Colin Macleod
4
How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
5
How we wrote Michael Jackson's 'Man In The Mirror' by Glen Ballard
6
How I wrote 'Luka' by Suzanne Vega
7
How we wrote: 'Eyes On Fire' by Blue Foundation's Tobias Wilner
8
Interview: Chanel Yates
9
How I wrote ‘Big In Japan’ by Alphaville
10
