As she starts work on her third album, due next year, we catch up with rising Norfolk-based singer-songwriter Jess Morgan...
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Anne Marie Almedal takes you deep into the heart of a Nordic forest, with the leafy folk of ‘Memory Lane’...
Megan Wyler soundtracks the promise that love makes and how it can be broken over those who trust in it...
Does exactly what it says on the tin! This 3-day event in Birmingham celebrates the best in jazzy, funky soulfulness...
In 400 acres of unspoilt Kent countryside, this back-to-basics weekender will have no VIP area, no sponsorship and no branding...
The velvet-voiced Lighthouse Family singer-songwriter talks about going it alone, learning to write music online and collaborating with other writers...
We meet a young Australian songwriter who’s out to show that great pop and intelligent lyrics needn’t be mutually exclusive...
On the second single to come from their second album ‘Fain’, Wolf People dwell in the ambience of Syd Barrett...
Songwriting and ReverbNation proudly present the second winners of our monthly songwriting contest – Brooklyn-based experimental pop trio Madam West...
The Hush Now provide a very worthy addition to the canon of creatively curious emo with the rather fine ‘Memos’...
Columnist Lisa Redford is a British singer-songwriter based in NYC. This month, she looks at promoting yourself via social media...
On ‘Gravez’, Hooded Fang sound like Blur and The Doors, as played by a triumphant college rock band from 1994...
How we wrote Michael Jackson's 'Man In The Mirror' by Glen Ballard
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How I wrote 'Turning Japanese' by The Vapors' David Fenton
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USA Songwriting Competition deadline nears for 2026 entries
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How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
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How I wrote 'Luka' by Suzanne Vega
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How I wrote ''74-'75' by The Connells
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Shelf help: 35 of the best books for songwriters [March 2026]
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How we wrote ‘Big In Japan’ by Alphaville
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How we wrote 'I Alone' by Live's Ed Kowalczyk
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Songwriting Magazine Issue 42
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