Issue four of our magazine is out there, featuring Everything Everything, Richard Thompson, Katzenjammer, Miles Hunt, Chas Hodges and more…...
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You’ll discover folk’s a little bit country this Thursday, when you hear ‘The Only Love I Know’ feat. Danni Nicholls...
Having been subjected to a stream of online misogynistic abuse, Chvrches singer Lauren Mayberry strikes back at the internet trolls...
WorldWideMusicContest.com (WWMC), a site made for unsigned musicians from across the globe, unveils the winners of its first songwriting competition...
Indie-rock quintet Foals have announced that they will embark on a UK tour this autumn to support their fourth album...
Audio-Technica releases the AT2020USBi cardioid condenser microphone with USB and Lightning connectivity, to digitally capture audio on PC/Mac or iOS...
25-, 49- and 61-key versions of the Code Series USB-powered controller keyboards become available, featuring velocity-sensitive pads and X/Y pad...
The post-hardcore singer turned folk troubadour explains his approach to songwriting and evolution from cult status to an arena filler...
The West London recording studio facility joins forces with Academy Of Contemporary Music to launch the talent showcase Metropolis Rising...
Rayland Baxter has returned with ‘Imaginary Man’, an album of way-out Americana with a dreamlike quality befitting of its title...
The debut album from Swedish folk band Small Feet is a transcendental melting-pot of Scandinavian fascination and television addict-fuelled unease...
It’s Thursday which can mean only one thing, an exclusive track brought to you by your very own Songwriting Magazine...
How we wrote 'Linger' by The Cranberries
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What to do if you’re a ’lyrics-only’ writer
2
How I wrote 'Luka' by Suzanne Vega
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How I wrote 'I'd Like To Teach The World To Sing (In Perfect Harmony)' by Roger Greenaway
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How I wrote 'Turning Japanese' by The Vapors' David Fenton
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How I wrote 'Mad World' by Tears For Fears' Roland Orzabal
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How we wrote Michael Jackson's 'Man In The Mirror' by Glen Ballard
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Interview: The Bluetones' Mark Morriss
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How we wrote ‘Big In Japan’ by Alphaville
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How I wrote Art Garfunkel's 'Bright Eyes' by Mike Batt
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