‘The Lunatic’ marks the last stand of Welsh post-hardcore act Saturday’s Kids and sees them rising like a great redwood...
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‘1000 Seasons’ casts The Rentals in a glowing light, with their first album for 15 years arriving at month’s end...
‘Misbehave’ sees High Hazels’ rocky guitar pop bubbling up to the surface, with the band set for much wider acclaim heffield...
Craft Spells transitions from bedroom dream pop to calming orchestral indie, after ditching social media and retreating from city life...
Joanna Gruesome return with their first new material of 2014 and reaffirm their status as one of indie-rock’s brightest stars fter...
Sisters Rebecca and Megan Lovell bring together a melting pot of influences to create something both eccentric and extremely listenable...
Distance by Dan Michaelson & The Coastguards is a haunting triumph which finds the perfect accompaniment to Michaelson’s exposed voice...
Thom Bowden allies tenderness to the influence of indie-rock super producer Steve Albini, to mark him as a real talent...
Cheatahs revamped single ‘The Swan’ is a heavier addition to the grunge revival, that features obscure influences that seep through...
SixToes’ atmospheric second album mixes beautiful string arrangements with brooding and powerful vocals to showcase a band at their peak...
On his debut album ‘Ephemeral’, old soul Sam Morrow trades in the sorrow that’s drawn many a songwriter to greatness...
Nick Mulvey returns with ‘Fever To The Form’ and shows why he’s been one of the risings stars of 2014 t’s not long...
How we wrote Michael Jackson's 'Man In The Mirror' by Glen Ballard
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How I wrote 'Feelin' Alright?' by Traffic's Dave Mason
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How I wrote 'Turning Japanese' by The Vapors' David Fenton
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How we wrote 'I Alone' by Live's Ed Kowalczyk
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How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
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How I wrote Art Garfunkel's 'Bright Eyes' by Mike Batt
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