Waves Audio has worked with the Grammy-nominated producer and songwriter, to create a new piano and keyboard sound engineering plugin...
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The Motörhead frontman and heavy metal legend died yesterday in his LA home after battling an aggressive form of cancer...
Our final Monday exclusive of the year comes from New York-based Lisa Gary, and is taken from her forthcoming debut album...
Band reveal that Sam Smith’s ‘Writing’s On The Wall might not have been the song used as Spectre’s theme tune...
The Oregon-based manufacturer launches the Journey series of Brazilian rosewood acoustic guitars, with over 50 years of history behind them...
An early present for fans of the Fab Four, as back catalogue comes to streaming services for the first time...
The music discovery platform signs two licensing agreements with the Performance Rights Organisations, improving streaming payments for songwriters and composers...
One half of their original songwriting partnership, Olly Knights discusses the band’s enduring appeal from their 2001 Mercury award-nominated debut...
Version 8.5 of Steinberg’s music production systems, Cubase Pro and Artist, see enhancements to workflow, creative tools and online collaboration...
Post-rock kids will find as much to enjoy here as acolytes of indie-folk, with grandiose atmospherics allied to delicate melodies...
This week’s Monday track exclusive comes from Ryan Shupe, an accomplished bluegrass artist who’s now moving into poppier, rockier territory...
The Blur frontman reveals news which will please fans of both The Good, The Bad & The Queen and Gorillaz...
How we wrote 'Linger' by The Cranberries
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How I wrote 'I'd Like To Teach The World To Sing (In Perfect Harmony)' by Roger Greenaway
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How I wrote 'Turning Japanese' by The Vapors' David Fenton
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How we wrote ‘Big In Japan’ by Alphaville
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How I wrote Art Garfunkel's 'Bright Eyes' by Mike Batt
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What to do if you’re a ’lyrics-only’ writer
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How we wrote Michael Jackson's 'Man In The Mirror' by Glen Ballard
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How I wrote 'Luka' by Suzanne Vega
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Interview: The Bluetones' Mark Morriss
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How I wrote 'Mad World' by Tears For Fears' Roland Orzabal
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