Our series of regular songwriter showcases and Q&A sessions continues in the intimate surroundings of Clifton’s Fringe Bar in Bristol...
Latest Articles
Our resident guitar man, Chris Cleaver, checks out three new stomp boxes from Lindo – Natural Overdrive, Soul Distortion and...
Cajsa Siik’s new single ‘Higher’ is an infectious anthem, with Scandinavian sensibilities showcasing her easy on the ears indie pop...
Country musician Justin Townes Earle has settled in Nashville and with ‘Single Mothers’ he’s released his most mature album yet...
Songwriting heads to Bristol Bierkeller to check out a one-man show by The Mission frontman and goth legend Wayne Hussey...
Dubbed the ‘music licensing queen’ by The Wall Street Journal, the Swedish pop princess looks to big beat for inspiration...
The founder of long-running songwriters’ tip-sheet SongLink demystifies the process of pitching songs to A&Rs and imparts some invaluable advice...
New York singer-songwriter Ryan Hobler has turned his wedding gift to his wife into a song full of universal appeal...
The Drums return with their third album and a sound suggesting that they have left the beach for somewhere darker...
Six of the southwest’s finest singer-songwriters gathered in Clifton’s Fringe Bar to play Songwriting Live – our monthly acoustic showcase...
New single ‘Lizard Cuts’ is a well-arranged slow-burner that shows that Bat And Ball can sound huge – and truly...
Bristolian live faves return with a third single that sees them continuing to blur the lines between several musical genres ollowing the...
Interview: The Shires' Ben Earle
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How I wrote 'Luka' by Suzanne Vega
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How I wrote 'Hey There Delilah' by Plain White T's' Tom Higgenson
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How I wrote ''74-'75' by The Connells
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How we wrote ‘Big In Japan’ by Alphaville
5
How I wrote 'Iris' by Goo Goo Dolls' John Rzeznik
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How I wrote 'Enola Gay' by OMD's Andy McCluskey
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How I wrote 'Mad World' by Tears For Fears' Roland Orzabal
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How we wrote 'Drinking In L.A.' by Bran Van 3000
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How we wrote Michael Jackson's 'Man In The Mirror' by Glen Ballard
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