Fourth annual songwriting event in Brighton is confirmed for 2017 with Brand New Heavies producer Andrew Levy already lined up...
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Our first exclusive of the week is this five-track EP from garage rock five-piece Bronco Simmons, who hail from Texas...
TC Electronic unveils what is claimed to be the “must-have songwriting tool” – a pedal and app for capturing song...
Band release a minute and twenty second clip via their website featuring the first new music from their new album...
Alt-rock legends albums ‘Lifes Rich Pageant’ (1986), ‘Dead Letter Office’ (1987) and ‘Eponymous’ (1988) will all get the vinyl treatment...
This week’s final exclusive comes in moving picture form, with the video for Eddie Prové’s track ‘Love For A Day’ Our...
Legendary songwriter revealed to have died from an opioid overdose, having been found dead at his home on 21 April...
Multi-platinum Icelandic songwriter calls out sexism in both the music and acting industries, labelling the music industry a “boys’ club”...
For our second exclusive this week we bring you an EP from Boudoir Noir, Michiganian purveyors of “dark cabaret pop” This week’s second...
The multi-platinum songwriter will embark on a massive summer and winter tour that takes in 26 dates across the UK...
Some yearning Americana for you in this week’s Monday exclusive, coming courtesy of US songwriter and session drummer Miles East For...
Seminal Australian alt-rock group will release their first album for three years and it will be accompanied by a film...
How I wrote 'Luka' by Suzanne Vega
1
How I wrote 'Mad World' by Tears For Fears' Roland Orzabal
2
How I wrote 'Turning Japanese' by The Vapors' David Fenton
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How I wrote ''74-'75' by The Connells
4
How we wrote Michael Jackson's 'Man In The Mirror' by Glen Ballard
5
How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
6
How I wrote 'Beautiful Girl' by INXS' Andrew Farriss
7
How we wrote ‘Big In Japan’ by Alphaville
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How we wrote: 'Eyes On Fire' by Blue Foundation's Tobias Wilner
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How I wrote Art Garfunkel's 'Bright Eyes' by Mike Batt
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