You may not understand his lyrics, but that won’t matter once you’ve heard what George Amor’s music has to say...
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If you like your alt-folk to brim with searching questions and poignancy then this record will become an essential listen...
A quartet borne from the four corners of the world combine to create a familiar sound on their debut single...
The debut EP from this Welsh rock outfit displays much potential, despite failing to quite hit the mark this time around...
This Manchester four-piece traverse the heavier side of northern indie, while keeping one hand firmly on the genre’s familiar reins...
Indie-pop kids rejoice, as Frankie Cosmos releases one of the true shining lights to come from the genre this year...
On their brand new EP, this nine-piece Afro-funk act announce their rebirth with some highly polished and politically conscious grooves...
Though each of its songs ploughs their own furrow, this remarkable debut LP somehow comes together as one coherent whole...
This indie-troupe have the energy of a springer spaniel and fizz of a Panda Pop on their new double single...
This high energy Japanese trio invite us to celebrate 35 years of music with 2016’s most uplifting single so far...
This country album just manages to keep hold of its authenticity despite having huge crossover appeal and a pop sensibility...
Drunk punks with banjos and ukuleles! Portland’s Mason Klauss and Reid Newlin release their appropriately titled second offering of 2016...
How I wrote ''74-'75' by The Connells
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How I wrote 'Iris' by Goo Goo Dolls' John Rzeznik
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How we wrote ‘Big In Japan’ by Alphaville
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How I wrote 'Hey There Delilah' by Plain White T's' Tom Higgenson
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How I wrote 'Turning Japanese' by The Vapors' David Fenton
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How we wrote Michael Jackson's 'Man In The Mirror' by Glen Ballard
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How I wrote 'Luka' by Suzanne Vega
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How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
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How I wrote 'Handbags And Gladrags' by Mike d'Abo
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How we wrote Little Big Town's 'Girl Crush' by Lori McKenna
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