Summer may be nearly over in the northern hemisphere, but tonight’s exclusive will remind you the sun’s always shining somewhere...
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Formed amidst the dying embers of a febrile DIY scene, this youthful post-punk meets post-hardcore quartet refuse to be squashed...
Tonight’s superb exclusive is from a delicate songwriter who’s taken a near death experience and poured it into his music...
The Irish songstress has relocated to Scotland and now returns with a collection of songs which balance folk and pop...
Fusing together genres from jazz to alternative rock, this double-album has plenty to offer to those prepared to embrace it...
Our first exclusive of the week is from a rootsy pop/rock songwriting team whose writing is steeped in classic pop...
This reissued 1983 album from Edward Barton and Jane Lancaster has far more to it than ‘It’s A Fine Day’...
The pioneering art-pop band return with a thirteenth record that continues their tradition of matching catchy guitars with warped topics...
We’re 16 albums in and the songwriting craft of the legendary Antipodean genius shows absolutely no sign of deserting him...
Our second exclusive this week sees a harmonic alt-country trio performing a touching live rendition of a brand new track...
The latest single from this folk maestro picks apart every emotion and will leave you wanting to continue the journey...
Tonight’s exclusive comes from a songwriter who needs no announcement, what with a back catalogue that includes 33 hit singles...
How I wrote 'Feelin' Alright?' by Traffic's Dave Mason
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How we wrote ‘Big In Japan’ by Alphaville
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How I wrote ''74-'75' by The Connells
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Songwriting Magazine Issue 42
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How I wrote 'Turning Japanese' by The Vapors' David Fenton
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How we wrote Michael Jackson's 'Man In The Mirror' by Glen Ballard
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How I wrote 'Enola Gay' by OMD's Andy McCluskey
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How I wrote 'Suddenly I See' by KT Tunstall
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How we wrote 'Don't Stop Believin'' by Journey's Jonathan Cain
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How I wrote 'Everybody's Got To Learn Sometime' by The Korgis' James Warren
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