The companion album to The Boss’ autobiography ‘Born To Run’ is worth it for the five previously unreleased tracks alone...
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Our exclusive tonight folks is a watery slice of lo-fi psych-pop that comes from a precociously talented young Scandinavian songwriter...
Summer may be nearly over in the northern hemisphere, but tonight’s exclusive will remind you the sun’s always shining somewhere...
Formed amidst the dying embers of a febrile DIY scene, this youthful post-punk meets post-hardcore quartet refuse to be squashed...
Tonight’s superb exclusive is from a delicate songwriter who’s taken a near death experience and poured it into his music...
The Irish songstress has relocated to Scotland and now returns with a collection of songs which balance folk and pop...
Fusing together genres from jazz to alternative rock, this double-album has plenty to offer to those prepared to embrace it...
Our first exclusive of the week is from a rootsy pop/rock songwriting team whose writing is steeped in classic pop...
This reissued 1983 album from Edward Barton and Jane Lancaster has far more to it than ‘It’s A Fine Day’...
The pioneering art-pop band return with a thirteenth record that continues their tradition of matching catchy guitars with warped topics...
We’re 16 albums in and the songwriting craft of the legendary Antipodean genius shows absolutely no sign of deserting him...
Our second exclusive this week sees a harmonic alt-country trio performing a touching live rendition of a brand new track...
How I wrote 'Luka' by Suzanne Vega
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How we wrote ‘Big In Japan’ by Alphaville
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How I wrote 'The Living Years' by Mike + The Mechanics' Mike Rutherford
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How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
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How I wrote 'Mad World' by Tears For Fears' Roland Orzabal
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Interview: Wolf Alice
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How I wrote 'Turning Japanese' by The Vapors' David Fenton
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How I wrote 'Walking In Memphis' by Marc Cohn
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Jordan Jackson's Songwriting Survival Kit
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How we wrote 'Don't Stop Believin'' by Journey's Jonathan Cain
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