The Scottish singer’s third album proves to be hauntingly sparse and a captivating affair that refuses to relinquish your attention...
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Hip hop is given the punk treatment, as Astronautalis proves why it is one of the world’s most diverse genres...
This noir-like debut album from Polly Scattergood and James Chapman (Maps) finds a beautifully haunting use for their unified talents...
Four years on from his last release, the second album from the Californian multi-instrumentalist and songwriter is worth the wait...
This debut LP is a rich and immersive experience, despite being built on the stark foundations of Adam Sherry’s detached...
This record is full of contradictions, but Ben Pritchard’s manic songwriting ability is jaw-droppingly good throughout this truly brilliant re-release...
Against a backdrop of roots, Americana and folk, this Chicago band have delivered a second album of well-crafted country songs...
Classically trained trio show their time away has been well-spent, returning with more maturity and with bigger sounds and concepts...
Another timeless release from Sub Pop, as Portland songwriter Kyle Craft brings uplifting melodies to this weirdly exciting break-up record...
A near-perfect marriage of country and soul lends this record a classic sound and makes it a wonderful refreshing antidote...
Latest release from this celebrated songwriter will have fans of folk, country and Americana full of the joys of spring...
By making an album with such mainstream appeal, these Anglo-Aussie musicians clearly have their hearts set on reaching the top...
How I wrote ''74-'75' by The Connells
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How I wrote 'Iris' by Goo Goo Dolls' John Rzeznik
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How we wrote ‘Big In Japan’ by Alphaville
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How I wrote 'Hey There Delilah' by Plain White T's' Tom Higgenson
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How I wrote 'Turning Japanese' by The Vapors' David Fenton
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How we wrote Michael Jackson's 'Man In The Mirror' by Glen Ballard
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How I wrote 'Luka' by Suzanne Vega
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How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
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How I wrote 'Handbags And Gladrags' by Mike d'Abo
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How we wrote Little Big Town's 'Girl Crush' by Lori McKenna
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