Minimoog that won’t break the bank – Behringer in early planning stages of rival synthesiser that could match Moog’s specs...
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Lisa Redford reports on what else, apart from the UK Americana Awards, was going on at AmericanaFest UK this year...
With a new album on the horizon, it’s the perfect time to check in with The Mavericks’ songwriter and frontman...
As the Country to Country Festival kicks off, its organisers reveal plans for another series of shows across the capital...
Tennessee superstar will host the UK premiere of the ‘Born In Bristol’ documentary at Country to Country festival this Sunday...
Today we have a real treat for you folks, with not just an exclusive track but a whole darn album...
Assisted by Royalty Exchange, we recognise the most successful songwriters behind the biggest hits on both sides of the Atlantic...
An Academy of Contemporary Music student reports on a recent talk by the punk-folk songwriter who doesn’t mince his words...
The Institute Of Contemporary Music Performance aims to encourage diversity and equality in songwriting with a scholarship worth over £7,000...
A tiny, cube-shaped audio interface with mic preamp and guitar input, designed for mobile recording in the tightest of spaces...
This Austin outfit prove themselves to be masters of light and shade on this delightful collection of six new tracks...
We round-up the last week in music, including news you might’ve missed, our #SongOfTheDay playlist and Classic Of The Week...
How I wrote 'Turning Japanese' by The Vapors' David Fenton
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How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
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How I wrote 'Luka' by Suzanne Vega
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How I wrote 'Mad World' by Tears For Fears' Roland Orzabal
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How I wrote 'Enola Gay' by OMD's Andy McCluskey
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How we wrote ‘Big In Japan’ by Alphaville
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How I wrote 'Dakota' by Stereophonics' Kelly Jones
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How I wrote Art Garfunkel's 'Bright Eyes' by Mike Batt
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How we wrote Little Big Town's 'Girl Crush' by Lori McKenna
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How we wrote 'Food For Thought' by UB40's Robin Campbell
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