‘Real Hair’ is a brilliant slab of 90s indie-rock that’s not a revivalist’s heaven but a rival for heaven itself...
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Coronation Ball drag the funky, R&B-inflected indie-rock of Dismemberment Plan kicking and careening into a new decade t’s less than...
Scotland’s Algernon Doll graduates from the Elliott Smith school of Pacific northwest songwriting to become a scholar in Seattle grunge...
Menace Beach attempt to revive the grunge and psychedelic music of the 80s/90s with new EP ‘Low Talker’ – and...
Sharon Jones makes a triumphant return after beating cancer, with her illness having done nothing to diminish her vocal power...
Making their debut, Patterns walk the line between shoegaze revivalism and cerebral electronica, coming out smelling like veteran dream poppers...
Those legendary zeitgeist-spawning inventors of the loud/soft dynamic, the Pixies, return with their second EP release in the past year...
Happyness make the journey from indie rock pretenders to dream pop darlings during the course of this fine debut EP...
In advance of their summer-scheduled debut album, Northern American offer a single full of Californian melody and New York charm...
Two (geographically) distant US cousins serve up an impressive debut single that blends influences from 60s psychedelia and 90s Britpop...
A commemorative, ‘Super Deluxe’ remastering of the releases where Clapton began to really stretch himself as a singer and songwriter...
Hey, Sleeper recalls a time when the indie-folk singer-songwriter was re-established in pop music, reminding us that some things never...
How we wrote Michael Jackson's 'Man In The Mirror' by Glen Ballard
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How we wrote ‘Big In Japan’ by Alphaville
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How I wrote 'Feelin' Alright?' by Traffic's Dave Mason
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How I wrote ''74-'75' by The Connells
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How I wrote 'Turning Japanese' by The Vapors' David Fenton
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How I wrote Art Garfunkel's 'Bright Eyes' by Mike Batt
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How we wrote 'I Alone' by Live's Ed Kowalczyk
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How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
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How I wrote 'Luka' by Suzanne Vega
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How we wrote Natalie Imbruglia's ‘Torn’ by Phil Thornalley
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