In advance of their summer-scheduled debut album, Northern American offer a single full of Californian melody and New York charm

Beginning with guitar work that recalls the melodious approach of fellow Californians Local Natives and a vocal that come across as a less barbed version of LA-born Rivers Cuomo’s, it’s not long before NYC rears its head. As the song reaches its centre point the band draws in elements of the Afrobeat with which Vampire Weekend made their name, and the bass leans into a more Interpol-like hum. The whole effect is something like a Californian take on Grizzly Bear’s pysch-pop. The radio edit is also included and, though the edit in no way ruins the song, it feels a little flat in comparison.
B-side Record Forever follows through with the same vibe as the A-side, though introduces touches of the space rock atmospherics that Grandaddy used to such great effect on their magnum opus The Sophtware Slump. It’s as graceful and pleasant as the warm air of a summer’s eve, but passes by without leaving the same indentation as its predecessor.
Though Northern American write songs that are finely crafted and have a real melodic charm, they presently lack the panache of their illustrious New York and California forbearers. There is, however, plenty of time for them to hit their stride and secure their vitality, for many great bands require the benefit of time to work their way into excellence – as anyone who’s heard the very first Interpol demos would attest .
Verdict: Charming, melodic pysch-folk
Damien Girling
You can hear the single for yourself below…
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