Our Monday exclusive this week is a whole gosh-darned album – and a treat for fans of raw, rootsy Americana...
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The singer-songwriter’s third album finds him back home and contemplating the trials and tribulations of his young life to date...
The returning folk veterans find Britain’s past to be fertile soil in which to unearth songs both new and old...
The veteran indie auteur has made a charming record which will please existing fans and gain a few new ones...
![EXCLUSIVE! ‘Puzzle [Acoustic] EP’ by Rashmi](https://www.songwritingmagazine.co.uk/wp-content/uploads/Rashmi-header-335x256.jpg)
A return to our Monday exclusive slot for Brooklyn-based Rashmi, as she unveils the acoustic version of her ‘Puzzle’ EP...
A crowded room dream-pop may be, but this single might just have announced a vocal addition to the quiet masses...
A folk collection rich in texture and individuality that will reward anyone brave enough to enter its creator’s unique world...
What better way to win a host of new fans than reimagining your own songs? None, based on this evidence!...
Superbly balanced songwriting from a ‘cheeky indie-pop’ troupe with a mastery of when to shift the tempo of their music...
Like a creepy city tour at night, this long-player will shake you up and leave you thankful for the daytime...
Our final Monday exclusive of the year comes from New York-based Lisa Gary, and is taken from her forthcoming debut album...
Post-rock kids will find as much to enjoy here as acolytes of indie-folk, with grandiose atmospherics allied to delicate melodies...
How we wrote ‘Big In Japan’ by Alphaville
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How I wrote 'Mad World' by Tears For Fears' Roland Orzabal
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How I wrote 'The Living Years' by Mike + The Mechanics' Mike Rutherford
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Interview: Wolf Alice
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How I wrote 'Luka' by Suzanne Vega
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How I wrote 'Turning Japanese' by The Vapors' David Fenton
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How we wrote 'Don't Stop Believin'' by Journey's Jonathan Cain
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How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
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Jordan Jackson's Songwriting Survival Kit
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How I wrote 'Walking In Memphis' by Marc Cohn
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