The former Rooney guitarist and vocalist Taylor Locke goes it alone on his west coast rock-fuelled single ‘Call Me Kuchu’...
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They’re just a year into their career but Keroscene are already writing with the assurance of noise-rock’s most accomplished veterans ondon...
Once a solo effort and now a sprawling musical collective, Hillström & Billy have captured something magical on ‘The Holding’...
‘Songs From The Hive’s’ catchy songwriting sees youthful New York songwriter Brian Dunne making a bid for the big league ew...
A warped and demented joyride, ‘Hammer And A Nail’ proves that Vienna Ditto really are ones to watch this year...
On Fool Like Me, Stephanie Manns has recorded a collection of songs which distils her influences into something universally accessible...
‘Wake Up And Fight’ sees Gaston Light’s Jason Corcoran unwilling to let the simple matter of darkness keep him down...
On Transfixiation, A Place To Bury Strangers have managed to capture the feeling of their ear-splitting live shows on record...
The debut solo record from Martin Callingham is a wonderfully intriguing and elegant opening statement – hopefully, a lengthy career...
Natalie McCool’s new single ‘Pins’ sees her adopt an almost entirely electronic sound, while keeping and exploring her authentic voice he...
North Carolina’s Dara Sisterhen releases ‘Boom’, an EP that combines her love of country music and the British invasion brilliantly...
On her poignant new album Blackbirds, veteran country artist Gretchen Peters creates something beautiful out of mortalities ever tightening grip...
How I wrote ''74-'75' by The Connells
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How I wrote 'Turning Japanese' by The Vapors' David Fenton
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How I wrote 'Iris' by Goo Goo Dolls' John Rzeznik
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How we wrote Michael Jackson's 'Man In The Mirror' by Glen Ballard
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How we wrote ‘Big In Japan’ by Alphaville
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How we wrote Little Big Town's 'Girl Crush' by Lori McKenna
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How I wrote 'Hey There Delilah' by Plain White T's' Tom Higgenson
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How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
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Songwriting Magazine Issue 44
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How I wrote 'Handbags And Gladrags' by Mike d'Abo
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