Cate Le Bon and Tim Presley of White Fence have joined forces to record an album imbued with improvisational spirit...
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The riff-heavy debut album from lauded Essex rockers The Bohicas is capable of both delighting and frustrating in equal measure...
The post-hardcore singer turned folk troubadour explains his approach to songwriting and evolution from cult status to an arena filler...
Rayland Baxter has returned with ‘Imaginary Man’, an album of way-out Americana with a dreamlike quality befitting of its title...
The debut album from Swedish folk band Small Feet is a transcendental melting-pot of Scandinavian fascination and television addict-fuelled unease...
The Deslondes are a five-piece who blend styles from folk to blues to create a sound all of their own...
Dwelling on themes of distance and separation, the second album from this Liverpudlian synth-pop five-piece is ethereal, sophisticated and compelling ritten...
To mark the 30th anniversary of ‘Psychocandy’, Jim and William Reid serve up this live version in deluxe boxset form erman...
‘Young Burns’ sees the aptly named Romanian act Fine, It’s Pink engaging in melodic dreaminess that belies their psych-rock tag...
On ‘Driveby’ The Classical do their very best to squeeze as little convention into the pop song format as possible...
On their debut EP, Grimsby three-piece The Sewer Rats have delivered a blistering and riff-heavy set of doom rock oney...
White Reaper’s debut album is a spirited collection of garage punk songs which owes a debt to the genre’s past...
Interview: Janet Devlin
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How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
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How I wrote 'Hey There Delilah' by Plain White T's' Tom Higgenson
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How I wrote 'Iris' by Goo Goo Dolls' John Rzeznik
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How we wrote Michael Jackson's 'Man In The Mirror' by Glen Ballard
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How I wrote 'Walking In Memphis' by Marc Cohn
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Interview: Colin Macleod
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How I wrote ''74-'75' by The Connells
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How I wrote Art Garfunkel's 'Bright Eyes' by Mike Batt
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How we wrote 'Don't Stop Believin'' by Journey's Jonathan Cain
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