First of a two-part article, in which Berklee Music’s James Linderman looks at chord quality and the moods they create...
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Olympus brings two new models to the crowded portable recorder marketplace. We put them through their paces at Songwriting Live…...
A five piece act with a gift for anthemic indie-rock, that draws from the canons of both C86 and grunge...
On ‘Golden Future Time’, David Ward mixes the doomy melodies of alt-rock with soulful harmonies and a beautifully fragile falsetto...
On ‘May You Marry Rich’, Colormusic continue their desire to bring colour to music, taking this as their ‘purple’ album...
On the year’s most romantic day, Lily & Madeleine gave listeners a love of their music that’s sure to endure...
Our latest songwriting competition winner is an eclectic singer-songwriter from Japan, mixing rock with elements of R&B, hip-hop and electro...
Local songwriters returned for the second incarnation of our monthly Live event, with another six stirring performances illuminating the evening...
Thursday 13 February 2014: Birmingham’s Hare & Hounds plays host to a Cardiff C86-grunge act and an Massachusetts indie-rock foursome...
The legendary producer who reputedly ‘invented the Eighties’ reveals he’s an “awful engineer” and often didn’t take any songwriting credits...
C86 and grunge argue over who loves each other more in this superb example of the current revivalist noise-pop zeitgeist...
Album four sees Bombay Bicycle Club enhancing the electronic tinge that made ‘A Different Kind Of Fix’ such a treat...
Interview: The Shires' Ben Earle
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How I wrote 'Luka' by Suzanne Vega
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How I wrote 'Hey There Delilah' by Plain White T's' Tom Higgenson
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How I wrote ''74-'75' by The Connells
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How we wrote ‘Big In Japan’ by Alphaville
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How I wrote 'Mad World' by Tears For Fears' Roland Orzabal
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How we wrote 'Drinking In L.A.' by Bran Van 3000
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How I wrote 'Enola Gay' by OMD's Andy McCluskey
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How I wrote 'Iris' by Goo Goo Dolls' John Rzeznik
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How we wrote Panic! At The Disco's 'High Hopes' by Sam Hollander
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