Although country pop might not be the sound you’d expect from a Glaswegian singer-songwriter, it has a surprising charm here...
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Madness’s legendary 1992 comeback concert at Finsbury Park, with sound and vision together in one package for the first time We’re...
Debut LPs this good don’t come around too often; original yet familiar, this is expansive rock at its thrilling summit...
The contemporary folk pair return with a second album, this time with added theatricality which might not appeal to everyone...
We don’t know Jenny, but if she’s the muse for a song like this we hope that she returns soon...
Moody duo Living Dead Girl show that trip-hop is alive and kicking, at least when given an injection of synth-pop Portishead...
The Sutherland Brothers lead singer and songwriter returns to his roots and looks to the dramatic Scottish coastline for inspiration...
Can an album of dizzying genre-hopping, which defies categorisation, ever work as a coherent statement? Of course it can California...
With the ‘Sunny Afternoon’ stage musical going great guns in London’s West End, here comes the accompanying two-CD ‘greatest hits’ The...
Prime your ears, because Jamie Lawson’s major label debut LP will be taking over the airwaves for the foreseeable future...
Those of you who refuse to accept the dying embers of summer will find much to enjoy in Gun Outfit...
A stylish folk album which creates dynamic and magical songs from the family history and favourite tales of their creator...
How I wrote ''74-'75' by The Connells
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How I wrote 'Iris' by Goo Goo Dolls' John Rzeznik
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How I wrote 'Turning Japanese' by The Vapors' David Fenton
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How we wrote ‘Big In Japan’ by Alphaville
4
How we wrote Michael Jackson's 'Man In The Mirror' by Glen Ballard
5
How I wrote 'Hey There Delilah' by Plain White T's' Tom Higgenson
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How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
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How we wrote Little Big Town's 'Girl Crush' by Lori McKenna
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How I wrote 'Handbags And Gladrags' by Mike d'Abo
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Songwriting Magazine Issue 44
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