On ‘Gemini’, Danish trio Boho Dancer strike out as a folk collective with the songwriting quality to last the distance...
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Solo album number three sees Norwegian songwriter Hanne Kolstø trading in darkly infectious atmospherics that are befitting of her homeland...
London three piece Doe take the blueprint of Lou Barlow and display hints of greatness on their excellent EP ‘Sooner’...
Post-hardcore legends Tim and Mike Kinsella return for album number ‘Two’and once again tap into their fans’ state of mind...
‘Stephen Hawking’ sees Francobollo succeed in their ambition to conjure a mainstream-friendly indie sound with a hint of the underground...
Album two sees New York’s Simone Felice once again mark himself out as a lyricist and songwriter of real distinction...
T.O.Y.S show that not all hope is lost on the ‘dancefloor indie’ scene with the new, fun and danceable ‘EP...
Pete Brandt’s album ‘Songs From The Basement’ sees the Bristol folk-rock songwriter displaying his range and quality across 23 tracks...
On ‘Golden Future Time’, David Ward mixes the doomy melodies of alt-rock with soulful harmonies and a beautifully fragile falsetto...
On ‘May You Marry Rich’, Colormusic continue their desire to bring colour to music, taking this as their ‘purple’ album...
C86 and grunge argue over who loves each other more in this superb example of the current revivalist noise-pop zeitgeist...
Album four sees Bombay Bicycle Club enhancing the electronic tinge that made ‘A Different Kind Of Fix’ such a treat...
How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
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How I wrote 'Hey There Delilah' by Plain White T's' Tom Higgenson
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How I wrote 'Luka' by Suzanne Vega
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How I wrote 'Mad World' by Tears For Fears' Roland Orzabal
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How I wrote 'Turning Japanese' by The Vapors' David Fenton
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Song Deconstructed: 'Sink & Swallow' by Melanie Radford
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How I wrote 'Handbags And Gladrags' by Mike d'Abo
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How I wrote ''74-'75' by The Connells
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How I wrote 'Walking In Memphis' by Marc Cohn
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How we wrote 'I Alone' by Live's Ed Kowalczyk
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