With her own compositions and reworked traditional arrangements, this Irish harpist has conjured up a debut album of serious quality...
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Though occasionally slipping into the prosaic, this songwriter and classically trained guitarist finds his own voice by the album’s end...
One of Canada’s most famous exports return with album number 15, a reminder that they have never really left us...
One of the hardest working bands in music return with another fine album packed with songs full of raw emotion...
To celebrate the 40th anniversary of The Jam’s debut album and its follow-up, USM-Polydor release a five-disc special edition set...
Two songs that call-out the lack of progress of women’s rights in today’s world, labeling it embarrassing, which it is...
The former Oasis man returns with a stunning new album that finds him in surprisingly euphoric form. Consider us impressed...
The fourth album from these rootsy Oklahoma rockers is an enticing marriage of classic character-driven storytelling and dramatically powerful musicianship...
Recorded back in 1973, this album still sounds fresher than any other country release you’re likely to hear this year...
A true icon of his genre is back with his star-shaped bass, a heap of famous guests and ‘the funk’...
The first in an exciting series of compilations exploring Japanese music is an enthralling collection of folk and rock songs...
Australian punk four-piece bring the world their record of defiance, written from a vulnerable place, lost in a dark world...
Introducing... Sunny Ozell
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How I wrote 'Hey There Delilah' by Plain White T's' Tom Higgenson
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How I wrote 'Iris' by Goo Goo Dolls' John Rzeznik
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How I wrote ''74-'75' by The Connells
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How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
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How we wrote ‘Big In Japan’ by Alphaville
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How I wrote 'Turning Japanese' by The Vapors' David Fenton
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Interview: BC Jean
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How we wrote Little Big Town's 'Girl Crush' by Lori McKenna
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Diary Of A Songwriter: Sunny Ozell
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