Tracktion 5 is a MIDI and audio sequencer from the Tracktion Software Corporation that carries an astonishingly low price tag pon...
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Winchester’s Wild Smiles are purveyors of the sort of noise-pop that’s bound to leave a wide grin on your face...
On ‘Sweet Jubilee’, the frostily named Bristol group Nanook Of The North meld together ambling indie-rock melodies and post-rock atmospherics ristol-based...
Just when you think a home studio couldn’t be more affordable, along comes a ‘cost effective’ sequel for recording vocals...
Beverly Girl’s debut, ‘Feather & Dust’, sees the Finnish four-piece traipsing into a musical space that was previously left unoccupied...
On debut ‘Cover Your Eyes’, Horse Party make a case for being one of the most exciting new bands around ormed...
On his sophomore release ‘House Of Jacks’, award-winning folk songwriter Blair Dunlop displays a craftsmanship that taps into southern bluegrass...
With this indie-rock tale, Glasgow four-piece So Many Animal Calls prove worthy additions to the canon of emotionally-tinged guitar pop ccents...
Annie Eve’s ‘Feversome EP’ features three tracks of emotional, country-tinged folk that boast much potential for bigger things to come nnie Eve’s...
London trio Happyness offer fans a dose of summer on single ‘Great Minds Think Alike, All Brains Taste The Same’...
![Don’t Point Your Finger [Deluxe Edition] and Third Degree [Deluxe Edition] by Nine Below Zero (Albums)](https://www.songwritingmagazine.co.uk/wp-content/uploads/Nine-Below-Zero-sleeve.jpg)
Two classic albums from the point when NBZ took their bar-locked R&B and attempted to produce something with wider appeal...
Our series of showcase gigs featuring songwriting talent from across the southwest (and beyond, if you wanna come play?) continues he date...
Interview: Janet Devlin
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How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
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How I wrote 'Hey There Delilah' by Plain White T's' Tom Higgenson
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How I wrote 'Iris' by Goo Goo Dolls' John Rzeznik
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How we wrote Michael Jackson's 'Man In The Mirror' by Glen Ballard
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Interview: Lady Nade
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Interview: Boy Meets Girl
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How I wrote 'Luka' by Suzanne Vega
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How I wrote Art Garfunkel's 'Bright Eyes' by Mike Batt
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How I wrote 'Turning Japanese' by The Vapors' David Fenton
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