We round-up the last week in music, including news you might’ve missed, our SongsOfTheWeek playlist and Classic Of The Week...
All posts by Publisher
We list the week’s top songwriters behind the biggest hits on the Billboard Hot 100 and the UK Singles Chart...
If precise and delicate indie-pop is your preferred listening, you’ll want to hear the latest record from this Canadian band...
Some of the finest musicians have been involved in writing the James Bond theme. Now, is it ‘The Modfather’s’ turn?...
Yamaha Music London will be opening its doors for a series of free skill-sharing sessions with workshops, demos and seminars...
The Irishman’s first album in five years adds electronic tinges to his folk songwriting and sees him reaping the rewards...
Today’s exclusive track comes courtesy of a brilliant Asbury Park quartet who blend the finest qualities of Americana and folk...
London music school ICMP becomes exclusive ‘UK chapter’ of the legendary NSAI, open to both amateur and professional British songwriters...
It’s an all too familiar equation: Southern-tinged guitar music, long hair, denim and a pair of brothers. Or is it?...
Loudspeaker brand’s new competition offers the chance to win a PA system and recording day with Grammy-winning producer Steve Levine...
The multi-award winning Georgia-born singer, songwriter and guitarist plays with and pays tribute to a few of his earliest heroes...
We list the week’s top songwriters behind the biggest hits on the Billboard Hot 100 and the UK Singles Chart...
How we wrote 'Linger' by The Cranberries
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What to do if you’re a ’lyrics-only’ writer
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How I wrote 'Luka' by Suzanne Vega
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How I wrote 'I'd Like To Teach The World To Sing (In Perfect Harmony)' by Roger Greenaway
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How I wrote 'Mad World' by Tears For Fears' Roland Orzabal
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How I wrote 'Turning Japanese' by The Vapors' David Fenton
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How we wrote Michael Jackson's 'Man In The Mirror' by Glen Ballard
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Interview: The Bluetones' Mark Morriss
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How we wrote ‘Big In Japan’ by Alphaville
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How I wrote Art Garfunkel's 'Bright Eyes' by Mike Batt
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