Creating music for ‘sync’ has become an increasingly important option for songwriters. We asked an industry expert how it works....
All posts by Duncan Haskell
The country artist talks about his seventh album and how we still shouldn’t expect to hear happiness in his music...
- 11 Dec 2014
- 0
Jake Brown has written an insightful book looking at the methods of the 20 most influential songwriters in country music...
- 23 Oct 2014
- 0
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How to deal with grief through songwriting
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How I wrote ''74-'75' by The Connells
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How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
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How I wrote ''74-'75' by The Connells
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How we wrote ‘Big In Japan’ by Alphaville
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How I wrote 'Iris' by Goo Goo Dolls' John Rzeznik
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How I wrote Art Garfunkel's 'Bright Eyes' by Mike Batt
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How I wrote 'Luka' by Suzanne Vega
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How I wrote 'Mad World' by Tears For Fears' Roland Orzabal
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How I wrote 'Everybody's Got To Learn Sometime' by The Korgis' James Warren
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How I wrote 'Iris' by Goo Goo Dolls' John Rzeznik
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How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
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How we wrote ‘Big In Japan’ by Alphaville
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How I wrote 'Turning Japanese' by The Vapors' David Fenton
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How I wrote ''74-'75' by The Connells
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How I wrote 'Luka' by Suzanne Vega
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How I wrote Art Garfunkel's 'Bright Eyes' by Mike Batt
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How I wrote 'Handbags And Gladrags' by Mike d'Abo
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How I wrote 'Mad World' by Tears For Fears' Roland Orzabal
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Shelf help: 35 of the best books for songwriters [March 2026]
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How I wrote 'Luka' by Suzanne Vega
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How we wrote ‘Beds Are Burning’ by Midnight Oil’s Rob Hirst
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Shelf help: 35 of the best books for songwriters [March 2026]
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How I wrote 'Enola Gay' by OMD's Andy McCluskey
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16 song starters
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How we wrote ‘Big In Japan’ by Alphaville
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How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
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