This year’s Ivors were awarded last night in London, honouring the very best of the UK’s songwriting and composing community...
Events
Articles
We report back from the first in a monthly series of emerging artist concerts taking place in the UK’s capital...
Yamaha Music London will be opening its doors for a series of free skill-sharing sessions with workshops, demos and seminars...
The annual free celebration of music will take place throughout the country on Wednesday 21 June and everyone is invited...
ReverbNation and Songwriting Magazine team up to launch a ‘Discover’ monthly emerging artist concert series in the UK’s capital city...
Coldplay, Michael Kiwanuka, Nick Cave and Skepta are among the songwriters in the running for this year’s Ivor Novello Awards...
The annual music competition that discovered Birdy kicks off with showcase events taking place in 14 regions across the country...
Academy of Country Music will crown the year’s top songwriters and performers tomorrow evening, but some have already been revealed...
Swanky Clifton members-only bar The Square opened its doors for this intimate gig showcasing songwriting talent from across the southwest...
The Institute of Contemporary Music Performance will welcome the experienced singer Mary Carewe to run a series of interactive classes...
The British heavy metal band’s last 12 albums get the reissue treatment and The Book Of Souls arena tour continues...
Two days of free musical instrument lessons will be taking place at over 120 venues across the UK in June...
How I wrote 'Luka' by Suzanne Vega
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How we wrote ‘Big In Japan’ by Alphaville
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How I wrote 'Mad World' by Tears For Fears' Roland Orzabal
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How we wrote Michael Jackson's 'Man In The Mirror' by Glen Ballard
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How I wrote 'Turning Japanese' by The Vapors' David Fenton
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How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
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How I wrote ''74-'75' by The Connells
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Meet The Songwriters: Bristol Song Circle
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How I wrote 'Teenage Kicks' by The Undertones' John O'Neill
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How I wrote Art Garfunkel's 'Bright Eyes' by Mike Batt
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