With the release of her technicolour new album ‘Pink Noise’, the songwriter from Birmingham is embracing a bold new future...
Where do songs come from?
Interview: Diane Warren
Interview: Teenage Fanclub
Interview: Hailey Whitters
Interview: Tom Grennan
Interview: Newton Faulkner
5 Minutes With… Peggy Seeger
How I wrote ‘Cool For Cats’ by Squeeze’s Chris Difford
Interview: Jamie Cullum
The creative process
Writing team dynamics
How I wrote ‘Turning Japanese’ by The Vapors’ David Fenton
How I wrote Art Garfunkel’s ‘Bright Eyes’ by Mike Batt
How I wrote ‘Stay’ by Shakespears Sister
Interview: Gary Barlow
Interview: The Flaming Lips’ Wayne Coyne
Interview: Bróna McVittie
Interview: Tom Walker
Interview: Elles Bailey
Four chords that changed the world (and how to use them)
5 Minutes With… KT Tunstall
How I wrote Christina Aguilera’s ‘What A Girl Wants’ by Shelly Peiken
How I wrote ‘Rabbit’ by Chas & Dave
Interview: Stereophonics’ Kelly Jones
How I wrote ‘Teenage Kicks’ by The Undertones’ John O’Neill
Songwriting Magazine Autumn 2020: The Quotes
Interview: Roachford
Interview: James Taylor
Songwriting Magazine Autumn 2020 edition out now
8 things to know about co-writing
Jamie Lawson’s Songwriting Survival Kit
Interview: Miranda Lambert
8 ways to resolve songwriting conflict
Interview: Rob Thomas
The Album That Changed Everything
16 song starters
Interview: Guy Chambers
Interview: Gabriella Cilmi
How I wrote ‘I’m Just A Singer (In A Rock And Roll Band)’ by The Moody Blues’ John Lodge
Diary Of A Songwriter: Sunny Ozell
Nerina Pallot’s Songwriting Survival Kit
Using scales to write songs
How I wrote Bristol
How I wrote ‘What A Beautiful Day’ by The Levellers
Interview: Tori Amos
Jenna Andrews’ tips on getting the most out of a publishing deal
Diary Of A Songwriter: George Montague
Principles Of Modern Songwriting
The Album That Changed Everything
Interview: P.P. Arnold
Interview: Eels’ Mark Oliver Everett
How to come up with 100 new song ideas
How I wrote ‘Is It Any Wonder?’ by Keane’s Tim Rice-Oxley
Judith Owen: how to find your own truth in other people’s songs
Chris Gantry’s Songwriting Survival Kit
How I wrote ‘Underdog (Save Me)’ by Turin Brakes’ Olly Knights
Dear songwriter (are you in a boredom funk?)
Interview: Isobel Campbell
Interview: Jonathan Wilson
5 Minutes With… Judy Collins
Interview: Kelvin Jones
How I wrote ‘Farewell To The Fairground’ by White Lies’ Charles Cave
Frankie Cosmos’ Songwriting Survival Kit
Want to see Songwriting Magazine in print?
Interview: Garbage’s Shirley Manson
5 minutes with… Midland’s Mark Wystrach
How I wrote ‘Enola Gay’ by OMD’s Andy McCluskey
Fink’s top 10 songwriting tips
Diary Of A Songwriter: Serafina Steer
Bruce Soord of The Pineapple Thief’s Songwriting Survival Kit
How I wrote ‘Rhythm & Blues Alibi’ by Gomez’s Ben Ottewell
Songwriting Magazine
Articles
Spending lockdown in Ireland with her partner Francesco Turrisi, the North Carolinian made an album about the call of home...
Inspired by artists like Joni Mitchell and the end of a relationship, Birdy returns with her most assured album yet
The Big Thief guitarist and solo artist is accessing his subconscious in order to extract the beginnings of his songs
The Counting Crows frontman discusses his band’s new album and looks back on their 1993 masterpiece ‘August And Everything After’
We head up the Hollywood Hills and back in time to a now mythical place in the history of songwriting
Professional musician and author of ‘The Touring Musician’s Survival Guide’, Ross Craib, shows us the way to a successful life...
On this track, a perfectly balanced melting pot of influences and ideas come together to celebrate immigrants around the world
A romantic trip to Memphis, Tennessee led to a special friendship being formed and a classic hit single being born
In this exclusive extract from her new book, one of Canada’s most celebrated songwriters Kat Goldman tackles that all-important question...
The Californian explains how sheer tenacity and Brill Building-inspired work rate made her one of the most successful behind-the-scenes songwriters
The Glasgow band’s founding members and evergreen luminaries talk about their upcoming 10th studio album and the art of songwriting
How I wrote 'Stay' by Shakespears Sister
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How I wrote 'Luka' by Suzanne Vega
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How I wrote Art Garfunkel's 'Bright Eyes' by Mike Batt
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16 song starters
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How I wrote 'Enola Gay' by OMD's Andy McCluskey
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How I wrote 'Place Your Hands' by Reef's Gary Stringer
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How I wrote 'I Alone' by Live's Ed Kowalczyk
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How I wrote 'I'm Just A Singer (In A Rock And Roll Band)' by The Moody Blues' John Lodge
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How I wrote ‘Beds Are Burning’ by Midnight Oil’s Rob Hirst
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Shelf help: 10 of the best books for songwriters
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Comments
I'm going to keep songwriting by reminding myself that overflowing emotions can be relieved when I write them down or sing them out.
I’ve kept writing songs all through lockdown and have just released currently have 4 tunes waiting for me to find the right words. The songs
My best mate and I have been writing songs together for just under a year and we've just released our 1st single! I am so
I have been writing songs now for over 40 years and I am not about to stop.
Notebook writing even day
I wrote 'Start a party' for Freedom day and the nightclub scene. It all started with Gary Barlow's course, I am now on the TSA
I have plenty of ideas and try to get one end product at one time! Focus, making, listen to it until I am satisfied with
Continue to build an incredible music catalogue
I have been writing songs privately for the last 5 years, but never recorded any. I almost gave up on recording, and was going to
It's my passion, to be honest.