In this ever-changing world, the virtuoso musician revels in the unpredictability of altered tunings and not having to be nice
Interview: Colin Macleod
Interview: Billy Steinberg
Introducing… Fable
In Conversation With… Nashvillains
Interview: John Waite
5 Minutes With… Jack Conman
Interview: Diane Warren
Interview: Teenage Fanclub
Interview: Hailey Whitters
Interview: Tom Grennan
Interview: Newton Faulkner
5 Minutes With… Peggy Seeger
How I wrote ‘Munich’ by Editors’ Tom Smith
Introducing… Ola Village
Interview: Boy Meets Girl
How I wrote ‘Cool For Cats’ by Squeeze’s Chris Difford
Interview: Jamie Cullum
How I wrote ‘Turning Japanese’ by The Vapors’ David Fenton
How I wrote Art Garfunkel’s ‘Bright Eyes’ by Mike Batt
How I wrote ‘American Pie’ by Don McLean
How I wrote ‘Stay’ by Shakespears Sister
5 Minutes With… Brian Protheroe
Interview: Sophie Ellis-Bextor
Interview: Gary Barlow
Interview: The Flaming Lips’ Wayne Coyne
Interview: Bróna McVittie
Interview: Tom Walker
Interview: Elles Bailey
5 Minutes With… KT Tunstall
How I wrote ‘Suddenly I See’ by KT Tunstall
Interview: Goo Goo Dolls’ John Rzeznik
How I wrote Christina Aguilera’s ‘What A Girl Wants’ by Shelly Peiken
How I wrote ‘Rabbit’ by Chas & Dave
Interview: Stereophonics’ Kelly Jones
Interview: INXS’ Andrew Farriss
How I wrote ‘Teenage Kicks’ by The Undertones’ John O’Neill
Songwriting Magazine Autumn 2020: The Quotes
Interview: Roachford
How I wrote ‘Light My Fire’ by The Doors’ Robby Krieger
Interview: James Taylor
Songwriting Magazine Autumn 2020 edition out now
Interview: Tenille Townes
Interview: Miranda Lambert
Interview: Rob Thomas
How I wrote ‘Lessons In Love’ by Level 42’s Mark King
Interview: Guy Chambers
Interview: Gabriella Cilmi
How I wrote ‘I’m Just a Singer (In a Rock and Roll Band)’ by The Moody Blues’ John Lodge
Interview: DMA’S
Interview: Martin Terefe
How I wrote Bristol
How I wrote ‘What A Beautiful Day’ by The Levellers
Interview: Tori Amos
Jenna Andrews’ tips on getting the most out of a publishing deal
How I wrote ‘Yellow River’ by Christie
The Album That Changed Everything
Interview: P.P. Arnold
5 Minutes With… Liddy Clark
Interview: Eels’ Mark Oliver Everett
How I wrote ‘Is It Any Wonder?’ by Keane’s Tim Rice-Oxley
How I wrote ‘Underdog (Save Me)’ by Turin Brakes’ Olly Knights
Interview: Isobel Campbell
Interview: Jonathan Wilson
Introducing… Craig Stickland
5 Minutes With… Judy Collins
Interview: Kelvin Jones
How I wrote ‘Farewell To The Fairground’ by White Lies’ Charles Cave
How I wrote ‘Senza Una Donna’ by Zucchero
Frankie Cosmos’ Songwriting Survival Kit
How I wrote ‘Dance The Night Away’ by The Mavericks’ Raul Malo
Interview: Garbage’s Shirley Manson
How I wrote ‘Everybody’s Gone To War’ by Nerina Pallot
How I wrote ‘The Life Of Riley’ by The Lightning Seeds’ Ian Broudie
5 minutes with… Midland’s Mark Wystrach
Introducing… Dan Aura
How I wrote ‘Enola Gay’ by OMD’s Andy McCluskey
Interview: Russ Ballard
How I wrote ‘Rhythm & Blues Alibi’ by Gomez’s Ben Ottewell
Interview: Jennah Barry
How to overcome writer’s block: 10 top songwriting tips
How I wrote ‘Glad All Over’ by Dave Clark
How I wrote ‘High’ by Lighthouse Family’s Paul Tucker
Interview: John Paul White
The importance of developing a standout brand in the music business
How I wrote ‘Dreams’ by Gabrielle
Interviews
Articles
The legendary folk artist is back with possibly her final album, one that finds her setting the world to rights
The group’s frontman takes us inside the creation of a track that has nothing to do with Bavaria’s capital city...
The 19-year-old from Brighton has already taken her unique sound from the teenager’s bedroom to the top of the charts...
From his Oslo studio, this calm and laid-back artist uses his musical toolbox to write indie-pop songs for the masses...
We get to know George Merrill and Shannon Rubicam, the American pop-songwriting duo behind two of Whitney Houston’s biggest hits...
We speak with double Ivor Novello Award-winning lyricist and founding member of Squeeze about one of their most famous songs...
The multi-award-winning songwriter, jazz musician and broadcaster reveals why he was “full of doubts” during the making of his album...
The story behind this much-loved new wave hit from 1980 – it’s not actually what popular legend supposes it’s about...
The Wombles songwriter recollects how a song about death became the theme to ‘Watership Down’ and a No 1 hit...
The singer-songwriter aimed to craft “a big song” about “a modern America” and ended up delivering an eight-and-a-half-minute folk-rock phenomenon...
An inter-species tale of unrequited love provided the surprising inspiration for one of the most memorable songs of the 1990s...
How I wrote ‘Beds Are Burning’ by Midnight Oil’s Rob Hirst
1
How I wrote 'Girl From Mars' by Ash's Tim Wheeler
2
How I wrote 'Luka' by Suzanne Vega
3
How I wrote 'Enola Gay' by OMD's Andy McCluskey
4
How I wrote 'Turning Japanese' by The Vapors' David Fenton
5
How I wrote 'Food For Thought' by UB40's Robin Campbell
6
Holly Macve’s Songwriting Survival Kit
7
16 song starters
8
How I wrote 'Place Your Hands' by Reef's Gary Stringer
9
How I wrote 'I Alone' by Live's Ed Kowalczyk
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Comments
I have plenty of ideas and try to get one end product at one time! Focus, making, listen to it until I am satisfied with
Continue to build an incredible music catalogue
I have been writing songs privately for the last 5 years, but never recorded any. I almost gave up on recording, and was going to
It's my passion, to be honest.
I'm putting out a new solo song next week, and am writing for my band's new album. On top of that, I want to challenge
Songwriting is truly part of me, and it was there for me during 2020. Now, in 2021, I’m more grateful for songwriting than ever. This
We have to use all our talents to find the songs which are out there in heaven.
I write songs all the time, I have written an album that I am going record and have professionally produced when lockdown ends.
I pledge to be song-full.