How I wrote ‘I’d Like To Teach The World To Sing’ by Roger Greenaway

4 November, 2018 in Interviews, Songwriting Magazine Autumn 2018

I’d Like to Teach the World to Sing (In Perfect Harmony)

Roger Greenaway says of ‘I’d Like to Teach the World to Sing (In Perfect Harmony)’: “To me it was always an unfinished song”

The acclaimed songwriter explains how the song ended up soundtracking a famous Coca-Cola TV ad and became a million-selling hit

Bristolian songwriter and record producer Roger John Reginald Greenaway OBE is best known for his collaborations with Roger Cook, who became the first UK songwriting partnership to be granted an Ivor Novello Award as ‘Songwriters of the Year’ in two successive years. Greenaway and Cook’s prolific discography started in 1964 with You’ve Got Your Troubles, which was a Top 10 hit on both sides of the Atlantic for The Fortunes.

This, coupled with several years of commercial success as the pop duo David and Jonathan, meant the pair caught the attention of Coca-Cola’s advertising agency and were hired to make music for the drink’s commercials. Roger Greenaway and Roger Cook would end up writing the million-selling I’d Like To Teach The World To Sing (In Perfect Harmony), a single release for The New Seekers that originated as the jingle ‘Buy the World a Coke’ for the famous 1971 television commercial.

But as Greenaway explains here, the song was almost confined to the archives of the ad agency’s tape library……


I Believe In A Thing Called Love cover

Released: November 1971
Artist: The New Seekers
Label: Polydor
Songwriter(s): Roger Cook, Roger Greenaway, Bill Backer, Billy Davis
Producer(s): David Mackay
UK chart position: 1
US chart position: 7

 

“In 1966, because The Fortunes had had such a big hit in America with You’ve Got Your Troubles, I got a call from a guy called Bill Backer who was the account executive for McCann Ericsson on the Coca-Cola account in New York. In those days, if there was a hit group in the charts, they would hire them
to sing Coca-Cola commercials. So we were asked to write a commercial for the Fortunes, which we did, and from that moment on – for literally the next five years – Roger Cook and I wrote dozens of Coke commercials for different acts. We worked with people like Ray Charles, Bobby Goldsboro, The Vogues, OC Smith, Lesley Gore, and we also worked on Coca-Cola commercials for people like The Tremolos, The White Planes and The Troggs, and others.

“Then around about 1970, we were commissioned to write a commercial for The New Seekers, which was going to be a two- minute radio ad for Coke. Normally, Roger and I would sit with Bill and a guy called Billy Davis, who was a producer at McCann Ericsson, and we’d show them our ideas – unfinished songs – and then we’d finish them with whichever act we were working with. On this particular occasion, I think Roger was up north working with Blue Mink, and Bill got caught in a storm and his plane was diverted to Shannon (Ireland). But Billy Davis made it in, so he and I sat in our offices in Park Street, and I played him a melody – about eight bars of something Roger and I had written while we were on holiday in Portugal. Billy liked it so we finished that song and it was called True Love And Apple Pie. The next day Roger was back and Bill managed to make it in, so the four of us were sat in the office and we played the song. Bill Backer said he loved the melody, but the lyric wouldn’t work, so it was re-written as I’d Like To Teach The World To Sing.

“There was a middle eight that we couldn’t use because it would be too long. So although I’d Like To Teach… had two bridges, to me it was always an unfinished song. Anyway, it went on air in America for three months as a two-minute radio commercial, and got no reaction whatsoever!…

Read the rest of Roger’s story, along with more artist interviews, news, tips, reviews and gear in Songwriting Magazine Autumn 2018 > >

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