Swanky Clifton members-only bar The Square opened its doors for this intimate gig showcasing songwriting talent from across the southwest...
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Our regular London showcase returned in January, with a plush new venue, five up-and-coming live acts – and Katie Melua!...
Our showcase at London’s Water Rats welcomed 60s legend Sandie Shaw, with performances from Paulaa, McGoozer and Little Brother Eli...
Our second live showcase at London’s Water Rats saw killer sets from Jesse Gamage, Sadie Jemmett and The Doppler Shift...
Ed O’Brien, Mark Kelly and a host of new talent were on hand to help reopen this legendary London venue ocated in Kings...
Our series of regular songwriter showcases and Q&A sessions continues in the intimate surroundings of The Fringe Bar in Bristol...
Our series of regular songwriter showcases and Q&A sessions continues in the intimate surroundings of Clifton’s Fringe Bar in Bristol...
On 30 September, Songwriting Live once again saw six of the southwest’s finest singer-songwriters performing at the Fringe Bar in...
Our series of regular songwriter showcases and Q&A sessions continues in the intimate surroundings of Clifton’s Fringe Bar in Bristol...
Six of the southwest’s finest singer-songwriters gathered in Clifton’s Fringe Bar to play Songwriting Live – our monthly acoustic showcase...
Our series of regular songwriter showcases and Q&A sessions continues in the intimate surroundings of Clifton’s Fringe Bar in Bristol...
Our series of regular songwriter showcases and Q&A sessions continues in the intimate surroundings of Clifton’s Fringe Bar in Bristol...
Interview: Nerina Pallot
1
How I wrote ‘Big In Japan’ by Alphaville
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How I wrote 'Luka' by Suzanne Vega
3
16 song starters
4
How I wrote ''74-'75' by The Connells
5
'Tis the season to enter the 9th Annual Christmas Songwriting Competition
6
How I wrote 'Suddenly I See' by KT Tunstall
7
How we wrote Ariana Grande's 'Santa Tell Me' by Savan Kotecha
8
How I wrote 'Zombie' by The Cranberries' Dolores O'Riordan
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How I wrote Art Garfunkel's 'Bright Eyes' by Mike Batt
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